Wettbewerbe für Architekten und Ingenieure, Landschaftsarchitekten, Architektur Studenten Wettbewerbe für Architekten und Ingenieure, Landschaftsarchitekten, Architektur Studenten
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The Living Museum – Micro-Architectures in the Landscape , Orani/ Italien

Architektur Wettbewerbs-Ergebnis

wa-ID
wa-2031276
Tag der Veröffentlichung
29.03.2021
Aktualisiert am
22.09.2021
Verfahrensart
Offener Wettbewerb
Zulassungsbereich
Andere
Teilnehmer
Architekt*innen, Designer*innen und Student*innen
Auslober
Abgabetermin
01.08.2021
Bekanntgabe
13.09.2021

Wie lautet der dritte Buchstabe von "wettbewerbe"?

1. Preis

Projekt: A Night at the Museum
Tatiana Skorduli, Russland
  • The Living Museum – Micro-Architectures in the Landscape
  • The Living Museum – Micro-Architectures in the Landscape

2. Preis

Projekt: Almost Commemorative
Atelier XX, USA/China
Maple Lin · Xinwei Chen
  • The Living Museum – Micro-Architectures in the Landscape
  • The Living Museum – Micro-Architectures in the Landscape

3. Preis

Projekt: Becoming Landscape
Associates, Italien
Nicolò Galeazzi · Martina Salvaneschi
Mitarbeit: Pietro Alfano · Leonardo Brancaleoni
Vladimir Boaghe · Alessandro Martin · Carlo Tamai
  • The Living Museum – Micro-Architectures in the Landscape
  • The Living Museum – Micro-Architectures in the Landscape
Verfahrensart
Offener Ideenwettbewerb

Wettbewerbsaufgabe
Nur eine Stunde von der herrlichen sardischen Küste entfernt, scheint Orani nur eines von vielen verlorenen Dörfern in der Mitte der Insel zu sein. Es gibt jedoch eine Besonderheit, die es von den anderen Dörfern abhebt, ein verstecktes Juwel, das es wiederzuentdecken gilt: das Nivola-Museum.

Im Einklang mit der Idee, ein Museum zu entwerfen, das mit den Konventionen des Traditionellen bricht, schlägt der Wettbewerb vor, ein Unterkunftsprogramm in das Museum von Nivola zu integrieren. Was wäre, wenn es seinen Besuchern die Möglichkeit bieten würde, darin zu wohnen? Wie könnte ein solches Programm in die Umgebung integriert werden?

Das im Herzen des sardischen Hinterlandes gelegene Ausstellungszentrum befindet sich in einer spektakulären natürlichen Umgebung auf der Südseite des Tals von Orani, unterhalb des landschaftlich reizvollen Berges Monte Gonare. Abgesehen von den bestehenden formalen Gärten umfasst der Komplex über 20 Hektar Land, das mit Olivenbäumen und wilder mediterraner Vegetation bedeckt ist: der ideale Standort für einige kleine Unterkunftspavillons inmitten der lokalen Landschaft.

Der so genannte Mitnahme-Tourismus war schon immer ein kritisches Thema für die kleinen Dörfer und Museen Sardiniens. Die Besucher kommen mit dem Auto von der Küste, besichtigen die Sammlung, und sobald sie fertig sind, fahren sie zum nächsten Ziel, wobei sie wahrscheinlich die einzige Gelegenheit verpassen, das Dorf und das umliegende Gebiet zu erkunden. Die Möglichkeit, innerhalb des Museumskomplexes von Nivola eine Art Öko-Hotel anzubieten, könnte dazu beitragen, dieser Mitnahme-Dynamik entgegenzuwirken und eine andere und vielleicht einzigartige Art von touristischer Erfahrung zu fördern.

Die Wettbewerbsteilnehmer sind daher aufgefordert, kreative Vorschläge für eine einzigartige und unkonventionelle Art von Unterkunft im Herzen des Museumsparks zu entwerfen. Ein privilegierter Zwischenstopp für Touristen, die durch die Region Nuorese reisen, und möglicherweise auch für internationale Künstler, die regelmäßig nach Orani kommen, um ihre eigenen Ausstellungen zu veranstalten.

Competition assignment
Just one hour away from the magnificent Sardinian coast, Orani may seem just one more of a large number of “lost towns” in the middle of the island. However, there is one particular feature that highlights it from the rest of the villages, a “hidden gem” ready to be rediscovered: the Nivola Museum.

In line with the idea of imagining a museum that breaks with the conventions of the traditional, the competition proposes to integrate an accommodation program within the Nivola Museum. What if it would offer to its visitors the possibility to actually “live” in it? How could a program of this kind be integrated in the surrounding context?

Located in the heart of the Sardinian inland, the exhibition centre sits in a spectacular natural site on the southern side of Orani’s valley, below the scenographic mountain of Monte Gonare. Aside from the existing formal gardens, the complex includes over 20 hectares of land covered by olive trees and wild Mediterranean vegetation: the ideal location for a few small accommodation pavilions immersed in the local landscape.

The so called “take-away-tourism” has always been a critical issue for Sardinian small villages and minor museums. Visitors arrive by car from the coast, they visit the collection and as soon as they finish, they leave for the next destination, losing probably the only opportunity to explore the village and the surrounding territory. The chance to offer a sort of eco-hotel facility within the Nivola Museum complex might help to counter this take-away dynamic, fostering a different and maybe “one of a kind” type of touristic experience.

Competitors are therefore asked to imagine and design creative proposals focused on a unique and unconventional type of accommodation facility, located in the heart of the museum’s park. A privileged stopover for those tourists intent on traveling through the Nuorese region, and possibly also for those international artists who periodically reach Orani to set up their own exhibitions.

Jury
Stefano Boeri
Carl Stein
Arthur Chang
Nicolás Campodonico
Claudia Magri
Luis Gallego Pachón
Ilaria Positano
Angelo Michele Pagano

Weitere Informationen zu allen Gewinnern finden Sie unter /
More information about all winners can be found at:

www.terravivacompetitions.com/the-living-museum-competition-results-2021
Auslober
TerraViva Competitions, Milano

Preisrichter*innen
Stefano Boeri
Carl Stein
Arthur Chang
Nicolás Campodonico
Claudia Magri
Luis Gallego Pachón
Ilaria Positano
Angelo Michele Pagano

Aufgabe
Just one hour away from the magnificent Sardinian coast, Orani may seem just one more of a large number of “lost towns” in the middle of the island. However, there is one particular feature that highlights it from the rest of the villages, a “hidden gem” ready to be rediscovered: the Nivola Museum.
In line with the idea of imagining a museum that breaks with the conventions of the traditional, the competition proposes to integrate an accommodation program within the Nivola Museum. What if it would offer to its visitors the possibility to actually “live” in it? How could a program of this kind be integrated in the surrounding context?
Located in the heart of the Sardinian inland, the exhibition centre sits in a spectacular natural site on the southern side of Orani’s valley, below the scenographic mountain of Monte Gonare. Aside from the existing formal gardens, the complex includes over 20 hectares of land covered by olive trees and wild Mediterranean vegetation: the ideal location for a few small accommodation pavilions immersed in the local landscape.
The so called “take-away-tourism” has always been a critical issue for Sardinian small villages and minor museums. Visitors arrive by car from the coast, they visit the collection and as soon as they finish, they leave for the next destination, losing probably the only opportunity to explore the village and the surrounding territory. The chance to offer a sort of eco-hotel facility within the Nivola Museum complex might help to counter this take-away dynamic, fostering a different and maybe “one of a kind” type of touristic experience.
Competitors are therefore asked to imagine and design creative proposals focused on a unique and unconventional type of accommodation facility, located in the heart of the museum’s park. A privileged stopover for those tourists intent on traveling through the Nuorese region, and possibly also for those international artists who periodically reach Orani to set up their own exhibitions.

GUIDELINES
In the search for innovative concepts and original projects, “The Living Museum” encourages participants to experiment with a wide range of typologies, sizes and materials. Needless to say, the aim is to avoid massive buildings that generally neglect the context. In fact, the intention is to design small-scale structures capable of enhancing the value of the magnificent natural site.
Accommodation should be guaranteed for a maximum of eight guests. Rooms can be contained in a unique block, in separate ones or even in small independent units isolated from each other.
Inspired by the unique nature of this magnificent landscape, competitors are free to decide where to place the intervention within the Museum complex. In between the trees, following the topography, embedded in the hill, raised from the ground, are just some of the endless possibilities. The choice, however, must be justified by the project itself and its strong relationship with the context.
In the search for innovative concepts and original projects, “The Living Museum” encourages participants to experiment with a wide range of typologies, sizes and materials. Needless to say, the aim is to avoid massive buildings that generally neglect the context. In fact, the intention is to design small-scale structures capable of enhancing the value of the magnificent natural site.

Informationen
in memory of Prof. Richard Ingersoll
founder and director of TerraViva program [1949 – 2021]

Prizes
1st PPRIZE 3.000€
2nd PPRIZE 2.000€
3rd PPRIZE 1.000€
4 GOLDEN MENTIONS “Richard Ingersoll” 250€ each 
10 HONORABLE MENTIONS
30 SHORTLISTED FINALISTS

Registration fees
“Early” registration – 59€
“Standard” registration – 89€
“Late” registration – 119€
*All prices are excluding vat (22%)

Schedule
Registrations open from March 15th 2021
Submissions within August 1st 2021
Results on September 13th 2021

Mehr unter
www.terravivacompetitions.com/the-living-museum-competition

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