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  • The Nelson-Atkins Museum of Art International Design Competition
  • The Nelson-Atkins Museum of Art International Design Competition
  • The Nelson-Atkins Museum of Art International Design Competition
  • The Nelson-Atkins Museum of Art International Design Competition
  • The Nelson-Atkins Museum of Art International Design Competition
  • The Nelson-Atkins Museum of Art International Design Competition
  • Finalist: Kengo Kuma & Associates, Tokyo, Japan with GGN, Endelman & Associates, Post Oak Preservation Solutions, Art Processors, Buro Happold || Image: Arrival through the new education wing © Kengo Kuma and Associates and Malcolm Reading Consultants
  • Finalist: Renzo Piano Building Workshop, Genoa, Italy with West 8, Arup || Image: View of the South Pavilion © Renzo Piano Building Workshop and Malcolm Reading Consultants
  • Finalist: Selldorf Architects, New York with Reed Hilderbrand, Atelier Ten, Two Row Architect, Renfro Design Group, Arup, Guy Nordenson & Associates, TYLin Silman || Image: View Looking West © Selldorf Architects and Malcolm Reading Consultants
  • Finalist: Studio Gang, Chicago, Illinois with SCAPE, Atelier Ten, JSA/MIXdesign, Snyder Consultancy, Heritage Consulting Group, Burns & McDonnell, Lam Partners, Altieri, Thornton Tomasetti || Image: Art Bluff © Studio Gang and Malcolm Reading Consultants
  • Finalist: Weiss/Manfredi Architecture/Landscape/Urbanism, New York with SCAPE, Atelier Ten, WeShouldDoItAll, Taliaferro & Browne, Jaros, Baum & Bolles, Severud Associates || Image: Cultural Campus © Weiss/Manfredi Architecture/Landscape/Urbanism and Malcolm Reading Consultants
  • Finalist: WHY Architecture, Los Angeles, California with WILDING x WHY, Atelier Ten, STRATA Architecture + Preservation, Arup, TYLin Silman || Image: Oak Street Education and Black Box Entrance © WHY Architecture and Malcolm Reading Consultants

The Nelson-Atkins Museum of Art International Design Competition , Kansas City/ Vereinigte Staaten

Architektur Wettbewerbs-Ergebnis

wa-ID
wa-2038674
Tag der Veröffentlichung
02.10.2024
Aktualisiert am
17.03.2025
Verfahrensart
Offener Wettbewerb
Zulassungsbereich
Andere
Teilnehmer
Planungsteams unter Federführung von Architekt*innen
Beteiligung
182 Arbeiten
Auslober
Koordination
Malcolm Reading Consultants, London
Abgabetermin
29.10.2024
Abgabetermin Stufe 2
02/2025
Bekanntgabe der Finalisten
13.03.2025

Wie viele Buchstaben hat "wa"?

Finalist

Kengo Kuma & Associates, Tokyo, Japan
with GGN (Landscape Architecture),
Endelman & Associates (Accessibility),
Post Oak Preservation Solutions (Heritage),
Art Processors (Exhibition and Experience Design),
Buro Happold (Engineering (Structural/MEP/Lighting))
  • Finalist: Kengo Kuma & Associates, Tokyo, Japan with GGN, Endelman & Associates, Post Oak Preservation Solutions, Art Processors, Buro Happold || Image: Opening toward the street © Kengo Kuma and Associates and Malcolm Reading Consultants
  • Finalist: Kengo Kuma & Associates, Tokyo, Japan with GGN, Endelman & Associates, Post Oak Preservation Solutions, Art Processors, Buro Happold || Image: Arrival through the new education wing © Kengo Kuma and Associates and Malcolm Reading Consultants
  • Finalist: Kengo Kuma & Associates, Tokyo, Japan with GGN, Endelman & Associates, Post Oak Preservation Solutions, Art Processors, Buro Happold || Image: Paths connecting through the site and into buildings © Kengo Kuma and Associates and Malcolm Reading Consultants
  • Finalist: Kengo Kuma & Associates, Tokyo, Japan with GGN, Endelman & Associates, Post Oak Preservation Solutions, Art Processors, Buro Happold || Image: Rozzelle Court © Kengo Kuma and Associates and Malcolm Reading Consultants
  • Finalist: Kengo Kuma & Associates, Tokyo, Japan with GGN, Endelman & Associates, Post Oak Preservation Solutions, Art Processors, Buro Happold || Model Photo © Kengo Kuma and Associates and Malcolm Reading Consultants
  • Finalist: Kengo Kuma & Associates, Tokyo, Japan with GGN, Endelman & Associates, Post Oak Preservation Solutions, Art Processors, Buro Happold || Image: Opening toward the street © Kengo Kuma and Associates and Malcolm Reading Consultants
  • Finalist: Kengo Kuma & Associates, Tokyo, Japan with GGN, Endelman & Associates, Post Oak Preservation Solutions, Art Processors, Buro Happold || Image: Arrival through the new education wing © Kengo Kuma and Associates and Malcolm Reading Consultants
  • Finalist: Kengo Kuma & Associates, Tokyo, Japan with GGN, Endelman & Associates, Post Oak Preservation Solutions, Art Processors, Buro Happold || Image: Paths connecting through the site and into buildings © Kengo Kuma and Associates and Malcolm Reading Consultants
  • Finalist: Kengo Kuma & Associates, Tokyo, Japan with GGN, Endelman & Associates, Post Oak Preservation Solutions, Art Processors, Buro Happold || Image: Rozzelle Court © Kengo Kuma and Associates and Malcolm Reading Consultants
  • Finalist: Kengo Kuma & Associates, Tokyo, Japan with GGN, Endelman & Associates, Post Oak Preservation Solutions, Art Processors, Buro Happold || Model Photo © Kengo Kuma and Associates and Malcolm Reading Consultants

Finalist

Renzo Piano Building Workshop, Genoa, Italy
with West 8 (Landscape Architecture),
Arup (Sustainability, Engineering (Structural/MEP/Lighting))
  • Finalist: Renzo Piano Building Workshop, Genoa, Italy with West 8, Arup || Image: New entrance of the museum through the North Plaza © Renzo Piano Building Workshop and Malcolm Reading Consultants
  • Finalist: Renzo Piano Building Workshop, Genoa, Italy with West 8, Arup || Image: View of the South Pavilion © Renzo Piano Building Workshop and Malcolm Reading Consultants
  • Finalist: Renzo Piano Building Workshop, Genoa, Italy with West 8, Arup || Image: View of the Sculpture Garden and South Pavilion © Renzo Piano Building Workshop and Malcolm Reading Consultants
  • Finalist: Renzo Piano Building Workshop, Genoa, Italy with West 8, Arup || Image: A new covered outdoor area and vantage point over the South Lawn © Renzo Piano Building Workshop and Malcolm Reading Consultants
  • Finalist: Renzo Piano Building Workshop, Genoa, Italy with West 8, Arup || Model Photo © Renzo Piano Building Workshop and Malcolm Reading Consultants
  • Finalist: Renzo Piano Building Workshop, Genoa, Italy with West 8, Arup || Image: New entrance of the museum through the North Plaza © Renzo Piano Building Workshop and Malcolm Reading Consultants
  • Finalist: Renzo Piano Building Workshop, Genoa, Italy with West 8, Arup || Image: View of the South Pavilion © Renzo Piano Building Workshop and Malcolm Reading Consultants
  • Finalist: Renzo Piano Building Workshop, Genoa, Italy with West 8, Arup || Image: View of the Sculpture Garden and South Pavilion © Renzo Piano Building Workshop and Malcolm Reading Consultants
  • Finalist: Renzo Piano Building Workshop, Genoa, Italy with West 8, Arup || Image: A new covered outdoor area and vantage point over the South Lawn © Renzo Piano Building Workshop and Malcolm Reading Consultants
  • Finalist: Renzo Piano Building Workshop, Genoa, Italy with West 8, Arup || Model Photo © Renzo Piano Building Workshop and Malcolm Reading Consultants

Finalist

Selldorf Architects, New York
with Reed Hilderbrand (Landscape Architecture),
Atelier Ten (Sustainability),
Two Row Architect (Indigenous Consultant),
Renfro Design Group (Lighting),
Arup (MEP Engineering),
Guy Nordenson & Associates (Structural Engineering),
TYLin Silman (Structural Engineering)
  • Finalist: Selldorf Architects, New York with Reed Hilderbrand, Atelier Ten, Two Row Architect, Renfro Design Group, Arup, Guy Nordenson & Associates, TYLin Silman || Image: North Arrival Portico © Selldorf Architects and Malcolm Reading Consultants
  • Finalist: Selldorf Architects, New York with Reed Hilderbrand, Atelier Ten, Two Row Architect, Renfro Design Group, Arup, Guy Nordenson & Associates, TYLin Silman || Image: View Looking West © Selldorf Architects and Malcolm Reading Consultants
  • Finalist: Selldorf Architects, New York with Reed Hilderbrand, Atelier Ten, Two Row Architect, Renfro Design Group, Arup, Guy Nordenson & Associates, TYLin Silman || Image: View of North Court Looking South © Selldorf Architects and Malcolm Reading Consultants
  • Finalist: Selldorf Architects, New York with Reed Hilderbrand, Atelier Ten, Two Row Architect, Renfro Design Group, Arup, Guy Nordenson & Associates, TYLin Silman || Image: East Elevation © Selldorf Architects and Malcolm Reading Consultants
  • Finalist: Selldorf Architects, New York with Reed Hilderbrand, Atelier Ten, Two Row Architect, Renfro Design Group, Arup, Guy Nordenson & Associates, TYLin Silman || Model Photo © Selldorf Architects and Malcolm Reading Consultants
  • Finalist: Selldorf Architects, New York with Reed Hilderbrand, Atelier Ten, Two Row Architect, Renfro Design Group, Arup, Guy Nordenson & Associates, TYLin Silman || Image: North Arrival Portico © Selldorf Architects and Malcolm Reading Consultants
  • Finalist: Selldorf Architects, New York with Reed Hilderbrand, Atelier Ten, Two Row Architect, Renfro Design Group, Arup, Guy Nordenson & Associates, TYLin Silman || Image: View Looking West © Selldorf Architects and Malcolm Reading Consultants
  • Finalist: Selldorf Architects, New York with Reed Hilderbrand, Atelier Ten, Two Row Architect, Renfro Design Group, Arup, Guy Nordenson & Associates, TYLin Silman || Image: View of North Court Looking South © Selldorf Architects and Malcolm Reading Consultants
  • Finalist: Selldorf Architects, New York with Reed Hilderbrand, Atelier Ten, Two Row Architect, Renfro Design Group, Arup, Guy Nordenson & Associates, TYLin Silman || Image: East Elevation © Selldorf Architects and Malcolm Reading Consultants
  • Finalist: Selldorf Architects, New York with Reed Hilderbrand, Atelier Ten, Two Row Architect, Renfro Design Group, Arup, Guy Nordenson & Associates, TYLin Silman || Model Photo © Selldorf Architects and Malcolm Reading Consultants

Finalist

Studio Gang, Chicago, Illinois
with SCAPE (Landscape Architecture),
Atelier Ten (Sustainability),
JSA/MIXdesign (Inclusive Design),
Snyder Consultancy (Cultural Strategy),
Heritage Consulting Group (Heritage),
Burns & McDonnell (Civil Engineering),
Lam Partners (Lighting),
Altieri (MEP Engineering),
Thornton Tomasetti (Structural Engineering)
  • Finalist: Studio Gang, Chicago, Illinois with SCAPE, Atelier Ten, JSA/MIXdesign, Snyder Consultancy, Heritage Consulting Group, Burns & McDonnell, Lam Partners, Altieri, Thornton Tomasetti || Image: Art Bluff © Studio Gang and Malcolm Reading Consultants
  • Finalist: Studio Gang, Chicago, Illinois with SCAPE, Atelier Ten, JSA/MIXdesign, Snyder Consultancy, Heritage Consulting Group, Burns & McDonnell, Lam Partners, Altieri, Thornton Tomasetti || Image: Art Bluff with the enhanced Donald J. Hall Sculpture Park © Studio Gang and Malcolm Reading Consultants
  • Finalist: Studio Gang, Chicago, Illinois with SCAPE, Atelier Ten, JSA/MIXdesign, Snyder Consultancy, Heritage Consulting Group, Burns & McDonnell, Lam Partners, Altieri, Thornton Tomasetti || Image: The museum’s north side with landscape and pavilions © Studio Gang and Malcolm Reading Consultants
  • Finalist: Studio Gang, Chicago, Illinois with SCAPE, Atelier Ten, JSA/MIXdesign, Snyder Consultancy, Heritage Consulting Group, Burns & McDonnell, Lam Partners, Altieri, Thornton Tomasetti || Image: Welcome/Lobby looking west © Studio Gang and Malcolm Reading Consultants
  • Finalist: Studio Gang, Chicago, Illinois with SCAPE, Atelier Ten, JSA/MIXdesign, Snyder Consultancy, Heritage Consulting Group, Burns & McDonnell, Lam Partners, Altieri, Thornton Tomasetti || Model Photo © Studio Gang and Malcolm Reading Consultants
  • Finalist: Studio Gang, Chicago, Illinois with SCAPE, Atelier Ten, JSA/MIXdesign, Snyder Consultancy, Heritage Consulting Group, Burns & McDonnell, Lam Partners, Altieri, Thornton Tomasetti || Image: Art Bluff © Studio Gang and Malcolm Reading Consultants
  • Finalist: Studio Gang, Chicago, Illinois with SCAPE, Atelier Ten, JSA/MIXdesign, Snyder Consultancy, Heritage Consulting Group, Burns & McDonnell, Lam Partners, Altieri, Thornton Tomasetti || Image: Art Bluff with the enhanced Donald J. Hall Sculpture Park © Studio Gang and Malcolm Reading Consultants
  • Finalist: Studio Gang, Chicago, Illinois with SCAPE, Atelier Ten, JSA/MIXdesign, Snyder Consultancy, Heritage Consulting Group, Burns & McDonnell, Lam Partners, Altieri, Thornton Tomasetti || Image: The museum’s north side with landscape and pavilions © Studio Gang and Malcolm Reading Consultants
  • Finalist: Studio Gang, Chicago, Illinois with SCAPE, Atelier Ten, JSA/MIXdesign, Snyder Consultancy, Heritage Consulting Group, Burns & McDonnell, Lam Partners, Altieri, Thornton Tomasetti || Image: Welcome/Lobby looking west © Studio Gang and Malcolm Reading Consultants
  • Finalist: Studio Gang, Chicago, Illinois with SCAPE, Atelier Ten, JSA/MIXdesign, Snyder Consultancy, Heritage Consulting Group, Burns & McDonnell, Lam Partners, Altieri, Thornton Tomasetti || Model Photo © Studio Gang and Malcolm Reading Consultants

Finalist

Weiss/Manfredi Architecture/Landscape/Urbanism, New York
with SCAPE (Landscape Architecture),
Atelier Ten (Sustainability),
WeShouldDoItAll (Exhibition and Experience Design),
Taliaferro & Browne (Civil Engineering),
Jaros, Baum & Bolles (MEP Engineering),
Severud Associates (Structural Engineering)
  • Finalist: Weiss/Manfredi Architecture/Landscape/Urbanism, New York with SCAPE, Atelier Ten, WeShouldDoItAll, Taliaferro & Browne, Jaros, Baum & Bolles, Severud Associates || Image: Cultural Campus © Weiss/Manfredi Architecture/Landscape/Urbanism and Malcolm Reading Consultants
  • Finalist: Weiss/Manfredi Architecture/Landscape/Urbanism, New York with SCAPE, Atelier Ten, WeShouldDoItAll, Taliaferro & Browne, Jaros, Baum & Bolles, Severud Associates || Image: New Wing and Sculpture Park © Weiss/Manfredi Architecture/Landscape/Urbanism and Malcolm Reading Consultants
  • Finalist: Weiss/Manfredi Architecture/Landscape/Urbanism, New York with SCAPE, Atelier Ten, WeShouldDoItAll, Taliaferro & Browne, Jaros, Baum & Bolles, Severud Associates || Image: Second Floor Transparent Galleries © Weiss/Manfredi Architecture/Landscape/Urbanism and Malcolm Reading Consultants
  • Finalist: Weiss/Manfredi Architecture/Landscape/Urbanism, New York with SCAPE, Atelier Ten, WeShouldDoItAll, Taliaferro & Browne, Jaros, Baum & Bolles, Severud Associates || Image: Aerial View/Sculpture Park © Weiss/Manfredi Architecture/Landscape/Urbanism and Malcolm Reading Consultants
  • Finalist: Weiss/Manfredi Architecture/Landscape/Urbanism, New York with SCAPE, Atelier Ten, WeShouldDoItAll, Taliaferro & Browne, Jaros, Baum & Bolles, Severud Associates || Model Photo © Weiss/Manfredi Architecture/Landscape/Urbanism and Malcolm Reading Consultants
  • Finalist: Weiss/Manfredi Architecture/Landscape/Urbanism, New York with SCAPE, Atelier Ten, WeShouldDoItAll, Taliaferro & Browne, Jaros, Baum & Bolles, Severud Associates || Image: Cultural Campus © Weiss/Manfredi Architecture/Landscape/Urbanism and Malcolm Reading Consultants
  • Finalist: Weiss/Manfredi Architecture/Landscape/Urbanism, New York with SCAPE, Atelier Ten, WeShouldDoItAll, Taliaferro & Browne, Jaros, Baum & Bolles, Severud Associates || Image: New Wing and Sculpture Park © Weiss/Manfredi Architecture/Landscape/Urbanism and Malcolm Reading Consultants
  • Finalist: Weiss/Manfredi Architecture/Landscape/Urbanism, New York with SCAPE, Atelier Ten, WeShouldDoItAll, Taliaferro & Browne, Jaros, Baum & Bolles, Severud Associates || Image: Second Floor Transparent Galleries © Weiss/Manfredi Architecture/Landscape/Urbanism and Malcolm Reading Consultants
  • Finalist: Weiss/Manfredi Architecture/Landscape/Urbanism, New York with SCAPE, Atelier Ten, WeShouldDoItAll, Taliaferro & Browne, Jaros, Baum & Bolles, Severud Associates || Image: Aerial View/Sculpture Park © Weiss/Manfredi Architecture/Landscape/Urbanism and Malcolm Reading Consultants
  • Finalist: Weiss/Manfredi Architecture/Landscape/Urbanism, New York with SCAPE, Atelier Ten, WeShouldDoItAll, Taliaferro & Browne, Jaros, Baum & Bolles, Severud Associates || Model Photo © Weiss/Manfredi Architecture/Landscape/Urbanism and Malcolm Reading Consultants

Finalist

WHY Architecture, Los Angeles, California
with WILDING x WHY (Landscape Architecture),
Atelier Ten (Sustainability),
STRATA Architecture + Preservation (Heritage),
Arup (MEP Engineering and Lighting),
TYLin Silman (Structural Engineering)
  • Finalist: WHY Architecture, Los Angeles, California with WILDING x WHY, Atelier Ten, STRATA Architecture + Preservation, Arup, TYLin Silman || Image: Aerial View/Sculpture Park © WHY Architecture and Malcolm Reading Consultants
  • Finalist: WHY Architecture, Los Angeles, California with WILDING x WHY, Atelier Ten, STRATA Architecture + Preservation, Arup, TYLin Silman || Image: Oak Street Education and Black Box Entrance © WHY Architecture and Malcolm Reading Consultants
  • Finalist: WHY Architecture, Los Angeles, California with WILDING x WHY, Atelier Ten, STRATA Architecture + Preservation, Arup, TYLin Silman || Image: South Plinth Landscape and Photo Galleries © WHY Architecture and Malcolm Reading Consultants
  • Finalist: WHY Architecture, Los Angeles, California with WILDING x WHY, Atelier Ten, STRATA Architecture + Preservation, Arup, TYLin Silman || Image: South Plinth Restaurant and Photo Galleries © WHY Architecture and Malcolm Reading Consultants
  • Finalist: WHY Architecture, Los Angeles, California with WILDING x WHY, Atelier Ten, STRATA Architecture + Preservation, Arup, TYLin Silman || Model Photo © WHY Architecture and Malcolm Reading Consultants
  • Finalist: WHY Architecture, Los Angeles, California with WILDING x WHY, Atelier Ten, STRATA Architecture + Preservation, Arup, TYLin Silman || Image: Aerial View/Sculpture Park © WHY Architecture and Malcolm Reading Consultants
  • Finalist: WHY Architecture, Los Angeles, California with WILDING x WHY, Atelier Ten, STRATA Architecture + Preservation, Arup, TYLin Silman || Image: Oak Street Education and Black Box Entrance © WHY Architecture and Malcolm Reading Consultants
  • Finalist: WHY Architecture, Los Angeles, California with WILDING x WHY, Atelier Ten, STRATA Architecture + Preservation, Arup, TYLin Silman || Image: South Plinth Landscape and Photo Galleries © WHY Architecture and Malcolm Reading Consultants
  • Finalist: WHY Architecture, Los Angeles, California with WILDING x WHY, Atelier Ten, STRATA Architecture + Preservation, Arup, TYLin Silman || Image: South Plinth Restaurant and Photo Galleries © WHY Architecture and Malcolm Reading Consultants
  • Finalist: WHY Architecture, Los Angeles, California with WILDING x WHY, Atelier Ten, STRATA Architecture + Preservation, Arup, TYLin Silman || Model Photo © WHY Architecture and Malcolm Reading Consultants
Press release by Malcolm Reading Consultants, London | March 13, 2025

THE NELSON-ATKINS MUSEUM OF ART REVEALS DESIGN COMPETITION FINALISTS’ CONCEPTS IN BUILDING BELONGING EXHIBITION

• Finalists’ concept designs go on display at the Nelson-Atkins and in online gallery
• Community and wider public invited to comment at the exhibition or directly via online form
• Exhibition showcases work by teams led by Kengo Kuma & Associates (Tokyo), Renzo Piano Building Workshop (Genoa), Selldorf Architects (New York), Studio Gang (Chicago), Weiss/ Manfredi Architecture (New York), and WHY Architecture (Los Angeles)

The Nelson-Atkins Museum of Art today revealed the six finalist teams’ concepts in the competition to transform the museum with a dynamic, open, and inviting design. The expansion project’s goal is to attract new audiences by creating vibrant spaces to host more art, and new immersive and interactive creative experiences for the community.

The concepts – devised by some of the most respected designers working in museum architecture today – are now available to view in an online gallery on the competition website at competitions.malcolmreading.com/nelson-atkins/gallery.

They can also be seen in a free exhibition at The Nelson-Atkins Museum of Art, Building Belonging: Designing the future of the Nelson-Atkins, that opens Mar 15 through June 1, 2025. The public is invited to comment at the exhibition or through the portal nelson-atkins.org/architectural-competition-comments.

For further details of opening hours and access, visit the event page.

The museum’s Architect Selection Committee (ASC) will meet in late Spring to interview the finalists and make a recommendation to the Board of Trustees. Following ratification and the winning team’s appointment, the chosen design will be refined in close partnership with the museum and its stakeholders, including local communities.

The museum’s Board of Trustees aims to broaden the conventions of the museum – which offers free general admission – so it continues evolving as a place where everyone feels they belong. The project will integrate the campus, the Donald J. Hall Sculpture Park, and the two existing buildings into a cohesive new experience.

The first stage of the competition, which launched in October 2024, attracted 182 teams from 30 countries on six continents.

“These six concept designs articulate six unique visions of a new and even more dynamic Nelson-Atkins.” said Evelyn Craft Belger, Chair of the museum’s Board of Trustees and the Architect Selection Committee. “This is a thrilling moment for the museum and our community when we start to visualize an identity that will carry us through the coming decades.

“We encourage our community to visit the exhibition and share your thoughts – which proposal best realizes your aspirations?”

“We asked for bold, inspiring moves that also respected the existing museum campus and I’m so happy to say we’ve received them in these initial designs,’ said Julián Zugazagoitia, Director & CEO of the Nelson-Atkins, “Each is a fascinating response to a complex project brief, together they bring myriad perspectives. The teams have shone their beams of thought on our big questions: how do we synthesize our existing icons with a new proposition? How do we modernize and embrace the future but keep the best of our history? And, most of all, how do we create a museum that is transparent for all and instills a sense of belonging and well-being?”

In conjunction with this exhibition is the release of Director’s Highlights: Celebrating 90 Years of The Nelson-Atkins Museum of Art, which captures the richness and variety of the museum’s collection told through the eyes of the curators and Zugazagoitia himself. It includes about 200 works of art organized by the decade in which they entered the museum. Engaging stories, images, and colorful anecdotes accompany each work, along with historic photos and plans. The publication is available for purchase online and in the museum store.

Project Background
One of America’s finest art museums, The Nelson-Atkins Museum of Art cares for a superlative collection of more than 42,000 art objects. It is best known for its extensive Asian art, European and American paintings, photography, modern sculpture, and Native American, African, and Egyptian galleries. It is surrounded by a 22-acre sculpture park.

Offering free admission, the museum based in Kansas City, Missouri, is nationally and internationally acclaimed and serves a broad region within a 300-mile radius.

The museum is embarking on this new project in response to the increasing needs of its community, growing and increasingly diverse attendance, the desire to exhibit more art and collections, and aspirations to serve future generations in transformative ways.

The competition is for a new addition (or ensemble of additions) of approximately 61,000 square feet, along with a part-renovation of the original Nelson-Atkins building, as well as activation and amplification of the outdoor campus – all framed within a thoughtful, sustainability strategy.

Highlights of the new addition(s) may include a primary entrance and welcome foyer, a comprehensive photography center, new featured exhibition galleries, learning and engagement spaces for hands-on art activities, a black box-style theater for digital art and immersive programming, and a restaurant for indoor/outdoor dining and events.

The estimated construction budget (funded entirely by private donations) is one part of a larger, more comprehensive campaign starting in 2025. The campaign is expected to be the single biggest investment in the arts in Kansas City in recent years, contributing to the city’s future dynamism and vitality. The museum receives no public tax dollars for operations or capital projects.

The competition process is being led by an Architect Selection Committee chaired by Evelyn Craft Belger, also Chair of the museum’s Board of Trustees. A full list of selection committee members follows.

For further information and future updates, including the winner announcement, please visit competitions.malcolmreading.com/nelson-atkins.
Press release by Malcolm Reading Consultants
 
THE NELSON-ATKINS MUSEUM OF ART LAUNCHES INTERNATIONAL DESIGN COMPETITION FOR MAJOR EXPANSION
 
One of America’s finest art museums challenges designers to create ‘a museum for all’
 
· US, international, emerging and established firms invited to participate
· A public exhibition of finalist design concepts will be held in spring 2025
· New addition(s) will create extra gallery, programming and visitor spaces and refresh and activate specific indoor and outdoor spaces
· No design required at the first stage − architect-led multidisciplinary teams asked to submit details of project approach, team composition, and experience
· Up to five finalist teams to receive US$75,000 competition fee for concept designs
· Deadline for first stage responses is Tuesday, October 29, 2024
 
(Kansas City, MO – Oct. 1, 2024) The Nelson-Atkins Museum of Art today launched a global open call to find an outstanding architect-led team for a world-class expansion that will transform the museum with a dynamic, open, and inviting design. The goal of the expansion is to attract new audiences and design a center that speaks to community, creating a museum for all.
 
One of America’s finest art museums, The Nelson-Atkins Museum of Art cares for a superlative collection of more than 42,000 art objects. It is best known for its extensive Asian art, European and American paintings, photography, modern sculpture, Native American, African and Egyptian galleries. It is surrounded by a 22-acre sculpture park.
 
Offering free admission, the museum, based in Kansas City, Missouri, is nationally and internationally acclaimed and serves a broad region within a 300-mile radius.
 
Rarely is a museum gifted with two architectural icons. The original Beaux Arts building is a traditional museum in neoclassical revival style, while the second, the much-admired and innovative Bloch Building, was a luminous addition by US architect Steven Holl in 2007 following an invited design competition. 
 
Now the museum is embarking on a third evolution in response to the increasing needs of our community, growing and increasingly diverse attendance, and desire to serve future generations. The capital campaign to fund this initiative will be the single biggest investment in the arts in Kansas City in recent years and will contribute to the city’s future dynamism and vitality.
 
Strategically, the museum’s Board of Trustees is intent on expanding the conventions of the museum, so it becomes a more dynamic, open, and inviting place; a place where everyone feels they belong. The project will integrate the campus, the Donald J. Hall Sculpture Park, and the two existing buildings into a cohesive new experience.
 
“This is a very exciting moment for the Nelson-Atkins and for Kansas City,” said Evelyn Craft Belger, Chair of the museum’s Board of Trustees and the Architect Selection Committee. “We look forward to seeing submissions from a diverse pool of architects from all backgrounds and across the world. Through this process we know we’ll identify a team that connects deeply with the museum’s vision and will be dedicated to fully realizing our mission.”
 
“This expansion solidifies the Nelson-Atkins’ foundational desire to reach all audiences, particularly those for whom art is not familiar,” said Julián Zugazagoitia, Director & CEO of the Nelson-Atkins. “It will enable the museum to better serve our community, and I envision a vibrant space for visitors to become energized by art and immersed in new and creative experiences.”
 
The design competition is being organized by architect search specialists Malcolm Reading Consultants. The competition is open to all local, regional, national and international firms.
 
Full details of the competition and how to enter are available on the dedicated website at competitions.malcolmreading.com/nelson-atkins
 
“How architects can shape museums to be more open and welcoming to their community goes to the heart of this transformative competition,” said Malcolm Reading, Competition Director. “The Nelson-Atkins has excelled in commissioning architects at pivotal moments in the museum’s history. Through this open call it is looking for a winning team that can honor and integrate both the historic and contemporary elements while creating a dynamic new addition that brings innovation and freshness. Sustainable design will also be paramount so the campus and art within may be enjoyed for generations to come.”
 
The competition program specifies a new addition (or ensemble of additions) of approximately 61,000 square feet and a part-renovation of the original Nelson- Atkins building, as well as activation and amplification of the outdoor campus – all framed within a thoughtful sustainability strategy. 
 
Highlights of the new addition(s) will include a primary entrance and welcome foyer, a comprehensive photography center, new featured exhibition galleries, learning and engagement spaces for hands-on art activities, a black box-style theater for digital art and immersive programming, and a restaurant for indoor/outdoor dining and events.
 
The estimated construction budget is $160 million – $170 million. The project will be funded entirely by private donations. The museum receives no public tax dollars for operations or capital projects. The comprehensive capital campaign will start in 2025. 
 
The competition will feature a public exhibition of the finalists’ concept designs in spring 2025. The Nelson-Atkins will invite the community to provide feedback at that time.
 
The competition process is being led by an Architect Selection Committee chaired by Evelyn Craft Belger, also Chair of the museum’s Board of Trustees. A full list of selection committee members can be found at the conclusion of this release.
 
Competition format 
 
The official language of the competition is US English. No design is required at the first stage — rather, designers will need to study the Search Statement (available on the competition website) and submit their approach to the project, team composition and relevant experience, as well as company details, through a digital form.
 
The competition’s first stage requires integrated multidisciplinary design teams comprising at a minimum: lead design architect, landscape architect, engineering disciplines (including structural, services and sustainability), and heritage advisor (if central to the team’s approach). Teams may include additional consultants deemed necessary to the design approach if required.
 
At the second stage, finalist teams may propose additional consultants to enhance their design concept, including exhibition designer, lighting designer, catering specialist and access consultant.
 
Up to five teams will be shortlisted and each will receive a competition fee of US$75,000 for their design work when the competition concludes with the selection of the winner.
 
Please note: once the Nelson-Atkins has selected a winner, the museum will work with them to identify a partner design firm (Architect of Record) registered to practice in the State of Missouri. Lead architects are discouraged from approaching local firms outside this forthcoming process. 
 
The finalists’ proposals will be judged by the museum’s Architect Selection Committee which comprises:
 
· Evelyn Craft Belger, Board Chair and Chair of the Architect Selection Committee
· Rick Green, Trustee and Immediate Past Chair of the Board
· Valerie Chow MD, Trustee 
· Paul DeBruce, Trustee 
· Linda Woodsmall-DeBruce, Member of the Committee on Collections
· Bill Gautreaux, Trustee 
· Don Hall, Jr., Trustee 
· Shirley Bush Helzberg, Chair Emerita 
· Neil Karbank, Board Secretary 
· Sandra Lawrence, Board Treasurer 
· Greg Maday, Trustee 
· Ramón Murguía, Former Trustee 
· Mark O’Connell, Trustee 
· Kent Sunderland, Trustee 
· Julián Zugazagoitia, Director & CEO of The Nelson-Atkins Museum of Art
 
The deadline for first stage responses is: 10:00am CDT (UTC-5) Tuesday, October 29, 2024.
 
The competition’s second stage will start in late November 2024; the winner announcement is expected in spring 2025.

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