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Veröffentlicht als:
- Kurzergebnis
- wa-ID
- wa-2035750
- Tag der Veröffentlichung
- 21.02.2023
- Aktualisiert am
- 31.10.2023
- Verfahrensart
- Offener Wettbewerb
- Zulassungsbereich
-
Andere
- Teilnehmer
- Multidisziplinäre Planungsteams aus Architekt*innen, Landschaftsarchitekt*innen, Ausstellungsdesigner*innen und Ingenieur*innen
- Auslober
- Das Dallas Museum of Art (DMA)
- Koordination
- Malcolm Reading Consultants Ltd., London
- Bewerbungsschluss
- 15.03.2023
- Abgabetermin
- 15.03.2023
- Bekanntgabe
- 03.08.2023
Gewinner / Winner
Nieto Sobejano Arquitectos, Madrid
mit PGAL, Housten
Ausstellungsdesign: Atelier Culbert
L.Arch.: SWA Group · TGA: Arup
Statik/Fassade: Bollinger+Grohmann
Ausstellungsdesign: Atelier Culbert
L.Arch.: SWA Group · TGA: Arup
Statik/Fassade: Bollinger+Grohmann
Finalist
David Chipperfield Architects, London
mit HarrisonKornberg Architects, Housten
L.Arch.: James Corner Field Operations
Ausstellungsdesign: Pentagram
Statik: Thornton Tomasetti
TGA: Arup · Umwelttechnik: Atelier Ten
L.Arch.: James Corner Field Operations
Ausstellungsdesign: Pentagram
Statik: Thornton Tomasetti
TGA: Arup · Umwelttechnik: Atelier Ten
Finalist
Diller Scofidio + Renfro, New York
with GFF, Dallas
L.Arch.: Michael Van Valkenburgh Ass. Inc.
TGA: Arup
Statik: LERA Consulting Structural Engineers
Ausstellungsdesign: New Affiliates
L.Arch.: Michael Van Valkenburgh Ass. Inc.
TGA: Arup
Statik: LERA Consulting Structural Engineers
Ausstellungsdesign: New Affiliates
Finalist
Johnston Marklee, Los Angeles
with Kendall/Heaton Associates Inc., Housten
Museumsspezialist: Christ & Gantenbein, Basel
Fachber.: MOS Architects
Ausstellungsdesign: Sam Jacob Studio
L.Arch.: Hargreaves Jones · TGA: Buro Happold
Statik: Walter P. Moore with
Martinez Moore Engineers
Museumsspezialist: Christ & Gantenbein, Basel
Fachber.: MOS Architects
Ausstellungsdesign: Sam Jacob Studio
L.Arch.: Hargreaves Jones · TGA: Buro Happold
Statik: Walter P. Moore with
Martinez Moore Engineers
Finalist
Michael Maltzan Architecture, Los Angeles
L.Arch.: Studio Zewde
Statik: Guy Nordenson and Associates
Ing.: Buro Happold
Umwelttechnik: Atelier Ten
Ausstellungsdesign: JSA/MIXdesign
Statik: Guy Nordenson and Associates
Ing.: Buro Happold
Umwelttechnik: Atelier Ten
Ausstellungsdesign: JSA/MIXdesign
Finalist
Weiss/Manfredi, New York
L.Arch.: Hood Design Studio
Ausstellungsdesign: WeShouldDoItAll
Fachber.: DVDL
Statik: Thornton Tomasetti
Ing.: Jaros, Baum & Bolles (MEP/FP Engineer)
Umwelttechnik: Atelier Ten
Ausstellungsdesign: WeShouldDoItAll
Fachber.: DVDL
Statik: Thornton Tomasetti
Ing.: Jaros, Baum & Bolles (MEP/FP Engineer)
Umwelttechnik: Atelier Ten
Verfahrensart
Offener zweiphasiger Wettbewerb
Wettbewerbsaufgabe
Das 1984 von Edward Larrabee Barnes errichtete Gebäude des Dallas Museum of Art wurde für eine andere Zeit und eine andere Gesellschaft entworfen. Der strenge modernistische Bau aus Indiana-Kalkstein zeichnet sich durch Eleganz und Ruhe aus. Doch in einem anderen kulturellen Kontext, in dem sich die Erwartungen der Besucher*innen geändert haben, in dem der Zugang zur Kunst eine Frage der Gleichberechtigung, der Vielfalt und der Inte-gration ist und in dem um das Museum ehrgeizige Wolkenkratzer und Parks entstanden, kann der Barnes-Campus nicht mehr überzeugen. Besucher*innen finden sich nur schwer zurecht, während unflexible und veraltete Ausstellungsräume dazu geführt haben, dass berühmte Kunstwerke im Lager verweilen. Das Museum strebt nun eine architektonische Neukonzeption an, um die Präsentation seiner Sammlung zu beleben und zu modernisieren.
Jury
Jennifer Eagle, Architekten-Auswahlkomitee
Lucilo Peña, Architekten-Auswahlkomitee
Agustín Arteaga, Dallas Museum of Art
Zaida Basora, American Institute of Architects
Mary McDermott Cook
Jeffrey S. Ellerman, CBRE
Marguerite Steed Hoffman
Darren L. James, KAI Enterprises
Howard Rachofsky
Catherine Marcus Rose
Deedie Rose
Jennifer Scripps, CEO Downtown Dallas Inc.
Gowri Sharma
Gayle Stoffel
Weitere Informationen zu den Finalist*innen und dem Gewinner unter /
More information about the finalists and the winner at:
competitions.malcolmreading.com/dallasmuseumofart/gallery
Offener zweiphasiger Wettbewerb
Wettbewerbsaufgabe
Das 1984 von Edward Larrabee Barnes errichtete Gebäude des Dallas Museum of Art wurde für eine andere Zeit und eine andere Gesellschaft entworfen. Der strenge modernistische Bau aus Indiana-Kalkstein zeichnet sich durch Eleganz und Ruhe aus. Doch in einem anderen kulturellen Kontext, in dem sich die Erwartungen der Besucher*innen geändert haben, in dem der Zugang zur Kunst eine Frage der Gleichberechtigung, der Vielfalt und der Inte-gration ist und in dem um das Museum ehrgeizige Wolkenkratzer und Parks entstanden, kann der Barnes-Campus nicht mehr überzeugen. Besucher*innen finden sich nur schwer zurecht, während unflexible und veraltete Ausstellungsräume dazu geführt haben, dass berühmte Kunstwerke im Lager verweilen. Das Museum strebt nun eine architektonische Neukonzeption an, um die Präsentation seiner Sammlung zu beleben und zu modernisieren.
Jury
Jennifer Eagle, Architekten-Auswahlkomitee
Lucilo Peña, Architekten-Auswahlkomitee
Agustín Arteaga, Dallas Museum of Art
Zaida Basora, American Institute of Architects
Mary McDermott Cook
Jeffrey S. Ellerman, CBRE
Marguerite Steed Hoffman
Darren L. James, KAI Enterprises
Howard Rachofsky
Catherine Marcus Rose
Deedie Rose
Jennifer Scripps, CEO Downtown Dallas Inc.
Gowri Sharma
Gayle Stoffel
Weitere Informationen zu den Finalist*innen und dem Gewinner unter /
More information about the finalists and the winner at:
competitions.malcolmreading.com/dallasmuseumofart/gallery
Reimagining the Dallas Museum of Art
Organizers
Dallas Museum of Art (DMA)
Competition coordination
Malcolm Reading Consultants
About the Competition
The Reimagining the Dallas Museum of Art International Design Competition is an open search for an architect-led multidisciplinary team to revitalize one of North America’s leading art museums. As a civic institution, the Museum is open-minded about competitors, welcoming local, Texas-based, US, international, emerging and established practices.
Advocating for the essential place of art in life, the Dallas Museum of Art (DMA) has a global collection of 26,500 artworks from all cultures and time periods that spans 5,000 years of human creativity. The beauty and diversity of the Museum’s collection is a constant source of discovery, as well as a testament to the civic commitment of individuals who have built the collection for the citizens of Dallas. The collection includes important holdings of the arts of ancient Americas, Africa, and South Asia, and in European and American painting, sculpture, and decorative arts, as well as one of the most important collections of modern and contemporary art in the United States.
Nearly forty years ago, the DMA was the founding institution of the Dallas Arts District. The District has become the largest in the United States, and key to Dallas’ identity as a nexus of culture, creativity, inclusivity, and dynamism, as well as an economic engine for the city.
Now the Museum, located on a prime site, seeks an architectural reinvention to better serve the diverse city of Dallas, and enliven and update the presentation of its collection, including its range of global icons, to speak to the present moment.
The DMA’s 1984 building by Edward Larrabee Barnes was designed for a different Dallas, a different time, and a different society. Conceived among warehouses and undeveloped city lots, the austere Modernist design in Indiana limestone forefronted elegance and quiet dignity. But in a different cultural context, with changing visitor expectations, with access to art now an issue of equity, diversity and inclusion, and with ambitious new skyscrapers and parks emerging around the Museum, Barnes’ capacious two-block campus can be read as unwelcoming, off-putting, and defensive. Visitors find the complex difficult to navigate, while inflexible and dated galleries have resulted in iconic artworks languishing in storage.
The Museum is working hard to engage new and diverse audiences and communities, and to attract national and international visitors to Dallas to enjoy: ‘a space of wonder and discovery where art comes alive…’.
To support this program, the DMA needs greater physical visibility, it needs to be transparent, show what is going on inside, and be emotionally woven into the city’s fabric, and welcoming and accessible to all.
This international design competition is the first step in DMA’s plan to achieve these aims.
A funding campaign seeking support from both public and private stakeholders is due to launch later this year.
As Dallas Museum of Art’s Eugene McDermott Director Dr. Agustín Arteaga explains: ‘The Museum is committed to the principle that art is at the center, and equity and community are at the core of all we do.’
Specifically, the competition program envisages an addition or additions that would add flexible galleries, and a reorganization of its circulation and entrances, as well as a holistic reapportioning of internal space. Nearly four decades since it opened, the Museum also requires comprehensive modernization and upgrade of services framed within a thoughtful sustainability strategy.
The estimated project budget is circa US$150–175m.
This two-stage international competition seeks architect-led multi-disciplinary teams with an open call for submissions. No design is required at the first stage — rather teams will need to study the Search Statement, and submit their approach to the project, team composition and relevant experience, as well as company details, through the digital form.
At the second stage, up to five teams will be selected to engage with the Museum and prepare concept designs. An exhibition of the finalist concept designs will be held at the Museum and the schemes will also be available to view online, giving the community an opportunity to view the submissions and give their feedback.
Each finalist team will receive an honorarium of US$50,000 and a contribution to expenses of up to US$10,000 at the conclusion of the process.
Finalist teams who reach the second stage of the competition will need to partner with a design practice registered to practice in the State of Texas; the competition encourages creative collaboration.
This first stage is open until 10:00 CDT (GMT‑5) March 15, 2023.
More information and details at
